Dear All,
Here is a sculpture of a lioness I am currently working on.  It may go into a couple of shows this fall.  This is made of clay, including the base, and is based on a series of photos I scrounged from some traveling friends who take good pictures plus some other references.  This cat is fired and what you see is what you get except that the finish on it is not complete.  I am fiddling with some golden highlights or maybe a more tawny color but am inclined to keep the color close to what you see--the natural fired clay color.

I think she looks like she's surveying her kingdom from a rocky hill and will probably name it something to do with that. 

I have finished the two paintings I did with the plein air group I took out in July and will get those on the blog soon. 

The Coppini, where I do a lot of my studio work, is closed for the month of August, so I am a little slowed by that as I've been taking the extra time at home to do a few long-standing projects.  But I have plenty to put on the blog and now might actually take the time to do it. 

Hope you are all well.

Jay

The Entomologist

Dear Friends,

Here is another early sculpture piece. The title is self explanatory. This cat is inspecting a beetle ( which, by the way, is superbly rendered if I do say so myself ), but has no intention whatever of actually touching it. If you have cats, you know this situation. This piece is about 12" high and a tad longer. It is made of water based clay, fired to stone hardness, and it sits on a base of hand rubbed wood.

I've entered this in a couple of shows and it's done well, receiving good reviews and winning prizes. Judges seem to like the looseness.

I did this one early on in my sculpture learning process and I hope I've improved some since then. But maybe not. You'll have to be the judge as I present the pieces as they came later. There are some horses and those will come along in the blog soon. I hope you like this.

Our place is a riot of purple color right now. Since the bad drought last year killed off much of our grass, even the native stuff, the fields have been taken over by the weed species. In our case, at least the weeds are beautiful purple prairie verbena. I should post a photo just so you can see it. Maybe I will.

Best regards,

Jay

The Sneak

Dear All,

I am trying to keep my promises to post more often so here is a cat I did a while ago. I like this particularly because of the finish on it which makes it look like old copper. The piece is about 6 inches tall and about a foot long counting the base. It is fired clay painted to look like the oxidized copper. It has been shown in a couple of big shows and has won prizes in both.

The base wood is hand finished with hand rubbed oils and is almost an artwork itself. Made by my art friend, Kathy.

This is one of my more favorite pieces as I think it captures the essence of the stalking cat and it has some nice decorative values to it.

It's for sale too, if you know anybody who needs a cat to decorate their place.

I have lots more to show you so keep tuned and I promise to keep up the contacts. If you are tired of receiving these as emails, let me know as I have others who would like to be on the list and I am limited in how many I can send to directly.

Have a great spring. We already have mounds of prairie verbena covering our place. Of course, that's because we have no grass after last year's drought. We'll take the verbena.

Dear All,

I can't believe it's been so long since last I put something on the blog. Yes, I'm still in the clutches of a less than cooperative computer and between that and the lack of interest in photographing my work, I've had no enthusiasm for putting new entries out there. But I get complaints. So here is a piece I've had done for a while but it should be new to you. This is Louise, one of my own cats, sitting in her favorite spot--a sunbeam.

I do have plenty more oil paintings to show you, but I wanted to tell you that I am still doing sculpture and that is also a reason I've fallen off the face of the blog world. It's just too much fun. And it's time consuming. I've been learning a lot from Trace Guthrie, my instructor, and have even had my work accepted into a few sculpture shows and have even won a few prizes with it. I am sticking to what I know, meaning horses and dogs and cats. I want to show these pieces to you soon. One I am particularly happy about is a group of four horses running together. It doesn't sound like much, but my intent was to give an idea of the power and grace of a running horse and I think I've at least touched the edge of that. The problem with it is photographing it. It's fairly complicated. Eventually I'll get something good enough to put on the blog.

Here's hoping I get something else on the blog before next winter sets in. Please let me know you've heard from me.

Jay

Very first sculpture

Dear Patient Friends,

Here, at last, are the promised pictures of my very first sculpture effort. I was quite proud of this right up until I saw the photos of it. It is meant to have a rough texture--sort of a "wet" feel, but the photo makes it look a lot less arty and a lot more "messy". Rats. I like this style of loose work and intend to keep working at it until I get it right. My instructor tells me frequently that one must pay attention to how shadows will fall on the work and keep that in mind when finishing a piece.

This piece is done with clay--a raku clay, in fact--and then fired and then painted to look like bronze. I rather like the bronze look to these pieces and will probably continue to paint my stuff to look like that. It gives me a good idea of what they would look like if I ever decide to actually have bronzes made. I've learned that is a very complicated and expensive process--not something I can afford to do. But these are original works that look like bronze and for the time being, these will have to do.

I have photos of two more pieces I completed at the same time. A dog and a horse. I'll put those on the blog soon. No I mean really soon. I already have the photos. And there are more sculptures in the pipeline as I am churning them out fairly quickly. It's so much fun!

Domestic Cat

Folks,

Here is the piece I did in Vie Dunn-Har's workshop last week. I am extremely pleased with it and am going to endeavor to use this technique in more of my animal paintings. This was so much fun to do. I've used abstract backgrounds in my animal paintings before, but this was much stronger than I was used to, and it works so much better. Vie does masterful botanical paintings and I would not even consider coming close to her lush foliage, but this gave me some ideas of how to present animals in a more interesting background.

This was done on 20"x 24" linen canvas, and we used a medium, unlike I normally do with my landscapes, where I use the gessoed panels and only turp to work the oil paint. It certainly made the paint flow freely.

I struggled the first day with the medium and the canvas and the subject matter, but learned a lot from that effort. The second day of the workshop I was able to start this and it suddenly became much more than I had anticipated. I did most of the finish on it the second day and tuned it up a little in my home studio this week, but I think it's done now and it is going to hang on my studio wall as a reference for future paintings.

The cat is our own Zelda. I used a photo of her sitting smugly on Steve's knee in front of the burning fireplace this winter. Steve's knee became the tree branch but the arrogance only cat's can produce is all Zelda.

I sure hope you all like this as much as I do.

Jay

Emily

Hey, y'all!

Here we have Emily, who belongs to the daughter of my friend Peggy. Emily runs her house with a strict paw and takes no nonsense from anybody. She was grandly gracious to pose for me in this beam of light so that I might appreciate just how elegant she is. Naturally, a painting followed. Emily eats well, a fact not hidden by her long flowing coat, and I did not choose to make her a bit more svelt. If she had been nicer to me, maybe--.

I really enjoyed doing this. My favorite part is the light glowing through the cat's ear. I did this pretty much entirely at the fall River Art Group show at La Villita, as a demonstration piece. You haven't seen it before because I was tied up with aforementionned surgery recovery and then troubles with the computer AND troubles with getting a photo which was in focus. I hope you like it now.

Jay

Personal Friends

Any artist with pets sooner or later makes them subjects of their work. I am no exception. I want you to meet two of our co-habitants who held still long enough for me to get a useable photo for painting purposes. On the right is my very good friend, William. This is his puppy picture. He looked just like this when we got him at 3 months. He is an adoptee from the Animal Defense League in San Antonio. He is the guy who got us into agility way back a long time ago. He is now ten and retired from competition but remains top dog in the household and one of the sweetest dispositions in a dog I've ever met. On the left is Louise, now about seven. She and her brother Bo came to us as street urchins as kittens. She never stopped eating when she moved in. This painting is enhanced somewhat in that I made her look a little thinner than she actually is. Sort of what you hope any artist would do for you too.

My objective when I do any animal, besided just loving to do it, is to create a piece of artwork, not just a record of that animal. I want the work to stand on it's own as something anyone would appreciate, not just animal lovers. I try my best to apply all the elements of art to these sorts of work-- composition, lighting, color, edges, etc. Thus I am not aiming for a strictly photographic likeness, but more of a feel for the animal. I think this gives the painting life.

I have finally competed my photography project and will now be able to put more of the existing work on the blog. I'm looking forward to showing you more! Keep those comments coming, please!

Jay